Perfume - Perfume Men - Body Oils - Perfume Type
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RRP $16.99
Perfume Homemade Ecstasy recommends essential oils: a natural and safe way to make homemade perfume recipes.
Perfume Homemade Ecstasy is the comprehensive guide for beginner to start making homemade perfume with flowers to essential oils.
Perfume Homemade Ecstasy will show you how to create your own recipes for yourself or to sell.
Perfume Homemade Ecstasy will teach you how to make homemade perfume, with:
Over 50 easy-to-follow recipes for you explore.
Summary of the history of perfume
Advice how to store your homemade perfume collection
Information on the 3 note structure and types on notes for each
Several aromatherapy recipesOver 100 Designer Note collection to help you make homemade perfume like the Experts
Have you been searching for a book that informs you on how to make homemade perfume recipes at home easy? Than Perfume Homemade Ecstasy is the Book for you. William Ziegler put together Perfume Homemade Ecstasy to help the beginner at make homemade perfume easily. In Perfume Homemade Ecstasy, you can expect over 50 incredible homemade perfume recipes.Homemade perfume recipes are for young and old. William Ziegler also included a extravagant list of pages and pages of Designer Fragrance Notes for the experienced homemade perfume makers. With Perfume Homemade Ecstasy Book's designer notes list, you will be making designer like homemade perfumes, homemade fragrances,homemade body sprays,homemade lotions, and homemade colognes in no time.
Check Out Perfume Homemade Ecstasy for fantastic list of homemade perfume recipes.
RRP $22.99
Patrick Suskind's Perfume is a classic novel of death and sensuality in Paris 'In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages. His name was Jean-Baptiste Grenouille, and if his name has been forgotten today, it is certainly not because Grenouille fell short of those more famous blackguards when it came to arrogance, misanthropy, immorality, or, more succinctly, wickedness, but because his gifts and his sole ambition were restricted to a domain that leaves no traces in history: to the fleeting realm of scent ...' 'An astonishing tour de force both in concept and execution' Guardian 'A fantastic tale of murder and twisted eroticism controlled by a disgusted loathing of humanity ...Clever, stylish, absorbing and well worth reading' Literary Review 'A meditation on the nature of death, desire and decay ...a remarkable debut' Peter Ackroyd, The New York Times Book Review 'Unlike anything else one has read. A phenomenon ...Everyone seems to want to get a whiff of this strange perfume, which will remain unique in contemporary literature' Figaro 'An ingenious and totally absorbing fantasy' Daily Telegraph 'Witty, stylish and ferociously absorbing' Observer Patrick Suskind was born near Munich, in 1949. He studied medieval and modern history at the University of Munich. His first play, The Double Bass, was written in 1980 and became an international success. His first novel, Perfume, became an internationally acclaimed bestseller. He is also the author of The Pigeon and Mr. Summer's Story, and a coauthor of the enormously successful German television series Kir Royal. Patrick Suskind lives and writes in Munich.
Perfumes, Cosmetics And Soaps: Production, Manufacture And Application Of Perfumes V. 2
RRP $821.99
During the past decade there have been many changes in the perfumery industry which are not so much due to the discovery and application of new raw materials, but rather to the astronomic increase in the cost of labour required to produce them. This is reflected more particularly in the flower industry, where the cost of collecting the blossoms delivered to the factories has gone up year after year, so much so that most flowers with the possible exception of Mimosa, have reached a cost price which has compelled the perfumer to either reduce his purchases of absolutes and concretes, or alternatively to substitute them from a cheaper source, or even to discontinue their use. This development raises an important and almost insoluble problem for the perfumer, who is faced with the necessity of trying to keep unchanged the bouquet of his fragrances, and moreover, to ensure no loss of strength and diffusiveness. Of course, this problem applies more especially to the adjustment of formulae for established perfumes, because in every new creation the present high cost of raw materials receives imperative con- sideration before the formula is approved.
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