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Most Christians are stymied and overwhelmed by the number of credentialed promoters of naturalism and evolution. They feel intimidated to engage people in a discussion of the Bible and creation. They do not need to be intimidated. This manual gives them a concise summary of both scientific and biblical evidence for the Christian faith. To master this short easy to read manual is to arm oneself with the evidence needed to promote the Gospel and answer key questions from skeptics, scorners, and seekers. The confidence that a believer has in his faith is enhanced by the evidence that is readily explained in this work. More details are given in the author's novels THE GROUP and THE DEBATE, and particularly in THE ORIGINS SCIENCE TEXTBOOK. Learn and use this valuable resource.
A Trip to Niagara; or, Travellers in America, a three-act comedy, opened at New York's Bowery Theatre on November 28, 1828, for a long run. Scripted and later published by William Dunlap (1766-1839), the so-called "father of the American stage," this play offers a bounty to theater historians, dramatic critics, and all those interested in the American culture during Dunlap's lifetime. This study explores the Bowery, the play's moving diorama, the text, and the playwright, and emphasizes their interrelationships. This analysis of A Trip to Niagara as a theatrical event joins hands with dramatic criticism. An annotated transcript of the play is helpfully provided in the appendix of the book. This study contends that had there been no moving diorama, there would have been no play. Since William Dunlap called his text a "running accompaniment," it should be analyzed in terms of this function. The play's few critics have failed to do this. Hence, the interplay of the moving diorama (and conventional scenic backdrops) with the plot and characters comprises another significant segment of this study. This book makes significant contributions to studies of antebellum American theater, the Nationalist Period in American culture, and William Dunlap.
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