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The Heart Of Christianity

RRP $19.99

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World-renowned Jesus scholar Marcus J. Borg shows how we can live passionately as Christians in today's world by practicing the vital elements of Christian faith.

For the millions of people who have turned away from many traditional beliefs about God, Jesus, and the Bible, but still long for a relevant, nourishing faith, Borg shows why the Christian life can remain a transforming relationship with God. Emphasizing the critical role of daily practice in living the Christian life, he explores how prayer, worship, Sabbath, pilgrimage, and more can be experienced as authentically life-giving practices.

Borg reclaims terms and ideas once thought to be the sole province of evangelicals and fundamentalists: he shows that terms such as "born again" have real meaning for all Christians; that the "Kingdom of God" is not a bulwark against secularism but is a means of transforming society into a world that values justice and love; and that the Christian life is essentially about opening one's heart to God and to others.

About the Author

Marcus J. Borg (1942-2015) was a pioneering author and teacher whom the New York Times described as "a leading figure in his generation of Jesus scholars." He was the Hundere Distinguished Professor of Religion and Culture at Oregon State University and canon theologian at Trinity Episcopal Cathedral in Portland, and he appeared on NBC's The Today Show and Dateline, ABC's World News, and NPR's Fresh Air. His books have sold over a million copies, including the bestselling Meeting Jesus Again for the First Time, Reading the Bible Again for the First Time, Jesus, The Heart of Christianity, Evolution of the Word, Speaking Christian, and Convictions.


Moving Diorama In Play

RRP $396.99

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A Trip to Niagara; or, Travellers in America, a three-act comedy, opened at New York's Bowery Theatre on November 28, 1828, for a long run. Scripted and later published by William Dunlap (1766-1839), the so-called "father of the American stage," this play offers a bounty to theater historians, dramatic critics, and all those interested in the American culture during Dunlap's lifetime. This study explores the Bowery, the play's moving diorama, the text, and the playwright, and emphasizes their interrelationships. This analysis of A Trip to Niagara as a theatrical event joins hands with dramatic criticism. An annotated transcript of the play is helpfully provided in the appendix of the book. This study contends that had there been no moving diorama, there would have been no play. Since William Dunlap called his text a "running accompaniment," it should be analyzed in terms of this function. The play's few critics have failed to do this. Hence, the interplay of the moving diorama (and conventional scenic backdrops) with the plot and characters comprises another significant segment of this study. This book makes significant contributions to studies of antebellum American theater, the Nationalist Period in American culture, and William Dunlap.



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