100 Reasons... examines the hopes and love God has for his creation. It presents to us the benefits, the life changing experiences, and the importance of developing a relationship with Christ. Overall, we learn how our decision to accept or reject Jesus Christ, will affect us now, and on his return. This book searches deep into the minds of those who struggle against his beckoning call to come believing, and to witness a man who understands all that we have experienced... and one who offers us a fruitful, yet tempered and purposeful life that will never end. This unique book may be utilized as a witnessing tool to win others to Christ, or as an inspirational and devotional for the believer to gain more understanding and leverage in their stand and comittment to him.
A Trip to Niagara; or, Travellers in America, a three-act comedy, opened at New York's Bowery Theatre on November 28, 1828, for a long run. Scripted and later published by William Dunlap (1766-1839), the so-called "father of the American stage," this play offers a bounty to theater historians, dramatic critics, and all those interested in the American culture during Dunlap's lifetime. This study explores the Bowery, the play's moving diorama, the text, and the playwright, and emphasizes their interrelationships. This analysis of A Trip to Niagara as a theatrical event joins hands with dramatic criticism. An annotated transcript of the play is helpfully provided in the appendix of the book. This study contends that had there been no moving diorama, there would have been no play. Since William Dunlap called his text a "running accompaniment," it should be analyzed in terms of this function. The play's few critics have failed to do this. Hence, the interplay of the moving diorama (and conventional scenic backdrops) with the plot and characters comprises another significant segment of this study. This book makes significant contributions to studies of antebellum American theater, the Nationalist Period in American culture, and William Dunlap.
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